{"id":445,"date":"2023-03-21T23:15:35","date_gmt":"2023-03-22T02:15:35","guid":{"rendered":"https:\/\/rodolfomederos.com\/?page_id=445"},"modified":"2023-05-28T05:36:58","modified_gmt":"2023-05-28T08:36:58","slug":"el-tango-una-escultura","status":"publish","type":"page","link":"https:\/\/rodolfomederos.com\/en\/el-tango-una-escultura\/","title":{"rendered":"EL TANGO, UNA ESCULTURA"},"content":{"rendered":"

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EL TANGO, UNA ESCULTURA<\/h1>\n

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RODOLFO MEDEROS <\/b>con Orquesta de cuerdas<\/span><\/h2>\n

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\u201cLa m\u00fasica, con su naturaleza inmaterial, curiosamente se comporta\u00a0 como un objeto material. Una escultura puede observarse desde varios \u00e1ngulos donde cada uno de estos ofrece\u00a0 una visi\u00f3n distinta\u00a0 del mismo objeto. Igual ocurre con la m\u00fasica. diferentes maneras de tocar y reordenar\u00a0 sus elementos (el arreglo), le confieren aspectos muy distintos al original. es la m\u00fasica escult\u00f3rica\u00bb<\/em><\/p>\n

Rodolfo Mederos, 2022<\/p>\n

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RODOLFO MEDEROS (Bandone\u00f3n solista y arreglos),\u00a0con Orquesta de cuerdas<\/h4>\n

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\u201cEL TANGO, UNA ESCULTURA\u201d<\/h2>\n

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Un concierto de bandone\u00f3n solista y Orquesta de cuerdas (puede ser una camerata), sobre distintas miradas del tango, a cargo de Rodolfo Mederos en bandone\u00f3n y arreglos, Luis Sava en direcci\u00f3n y la presencia de catorce maestros, distribuidos en filas de cuatro primeros violines, cuatro segundos violines, tres violas, dos violoncellos y un contrabajo (Esta formaci\u00f3n de cuerdas es la m\u00ednima indispensable y puede ser ampliada).<\/h3>\n

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CONCIERTO\u00a0 07.05.22 CCK:<\/h4>\n

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RODOLFO MEDEROS (Bandone\u00f3n solista y arreglos)<\/h3>\n

LUIS SAVA\u00a0(direcci\u00f3n orquestal)<\/h3>\n

PROGRAMA<\/p>\n

01-\u00a0\u00a0 LA BIBLIOTECA (Augusto Berto)
02-\u00a0\u00a0 EL CABURE (Arturo De Bassi)<\/h4>\n

03-\u00a0\u00a0 CEREZAS (Rodolfo Mederos)
04-\u00a0\u00a0 OBLIVION (Astor Piazzolla)<\/h4>\n

05-\u00a0\u00a0 VOLVER (Carlos Gardel)
06-\u00a0\u00a0 MI BS AS QUERIDO (Carlos Gardel)
07-\u00a0\u00a0 POR UNA CABEZA Carlos Gardel)
08-\u00a0\u00a0 MELODIA DE ARRABAL (Carlos Gardel)<\/h4>\n

09-\u00a0\u00a0 AZUCAR (Rodolfo Mederos)
10-\u00a0\u00a0 EL ESQUINAZO (Angel Villoldo)<\/h4>\n

11-\u00a0\u00a0 EL DIA QUE ME QUIERAS (Carlos Gardel)
12-\u00a0\u00a0 CINEMA PARADISO (Ennio Morricone)
Bis-\u00a0ADIOS NONINO (Astor Piazzolla)<\/h4>\n

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EL TANGO, UNA ESCULTURA<\/h1>\n

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Fotos<\/h2>\n

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<\/h2>[\/et_pb_code][et_pb_code _builder_version=\u00bb4.20.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|10px|||false|false\u00bb hover_enabled=\u00bb0″ global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]<\/p>\n
<\/div>\n

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Gustavo Froj\u00e1n
+54 9 11 5606-9416<\/p>\n

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gustavofrojan59@gmail.com<\/a><\/p>\n

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. . . . .<\/p>\n

<\/h2>\n

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UNICO Contacto:
\u2709\ufe0f
rodolfomederos@yahoo.com.ar<\/a><\/p>\n

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Buenos Aires, Argentina.<\/p>\n

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EL TANGO, UNA ESCULTURARODOLFO MEDEROS con Orquesta de cuerdas\u201cLa m\u00fasica, con su naturaleza inmaterial, curiosamente se comporta\u00a0 como un objeto material. Una escultura puede observarse desde varios \u00e1ngulos donde cada uno de estos ofrece\u00a0 una visi\u00f3n distinta\u00a0 del mismo objeto. Igual ocurre con la m\u00fasica. diferentes maneras de tocar y reordenar\u00a0 sus elementos (el arreglo), […]<\/p>","protected":false},"author":1,"featured_media":479,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-445","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nEL TANGO, UNA ESCULTURA | Rodolfo Mederos<\/title>\n<meta name=\"description\" content=\"La m\u00fasica, con su naturaleza inmaterial, curiosamente se comporta como un objeto material. 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